Creating Something Out of Nothing

I get a lot of pleasure out of stitching backgrounds. So much space to play! Yet, creating an environment for the background of single-subject canvases is equally fun.

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The stitched sample is a glimpse of a background from a simple ornament with nothing more than a vase with flowers. (This ornament is a gift, so I can’t show everything.) The straight black lines are the tabletop underneath and behind the vase. The columns of diagonal rows of skipping tent stitch are the wall behind the vase. All black lines use Elegance; the yellow lines use Petite Silk Lame on 18M.

The diagram is simply a jumping-off point. In the stitched sample, I positioned the tabletop an appropriate bit above the bottom of the vase, started the stitch at the top edge of the imaginary tabletop, and continued it to the bottom edge. If the tent stitches don’t float your boat, I suggest finding a stitch that fits the width of a repeated element in the tabletop for the columns. My go-to suggestions include diamond stitches or more horizontal straight stitches. The wider your repeated element is, the more fun you can have with the columns.

This would be a darling floor and wall for a holiday ornament with a single Christmas tree. I typically use the same color as the canvas is painted for the floor (or tabletop). I would select a secondary color from the tree, say the ornaments, and add that to the contrasting column.

Click on image to see the whimsicalstitch.com Stitch Library on pinterest.com. Includes all #whimsicalwednesday and #smallspacesunday stitch diagrams.

As you are auditioning stitches (from any stitch source), count the number of canvas threads on the diagram that match your mesh size. And there you have what an inch of the stitch will look like. Evaluate that against the area where you plan to use the stitch and make your final decision. If you start integrating this step into your stitch selection process, you may be surprised at how many stitches you think are large are much smaller than you realize.

By (sometimes) including this step in my own process, I find I am now integrating much longer stitches than I ever thought I would. I used to think a stitch six rows long was super big. I have very much changed my tune, which has helped me expand my creativity, especially for large-space stitches.

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If you like what you see on this blog, there's more. Mary’s Whimsical Stitches is a series of four books offering contemporary how-to collections of more than 200 stitches (in each volume) for all stitchers, regardless of skill level. All books include updated and sequenced diagrams from this blog, plus a collection of all-new stitches from private lessons and other class projects. Visit here to find a needlepoint retailer that carries my books.

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I hope you have the perfect spot for this stitch! Please enjoy! Have a wonderful #whimsicalwednesday!

A Note about Diagrams
I use color in diagrams to make them as clear as possible.  The primary function of different colored lines is to illustrate a stitch sequence.  For example, the layering of colors demonstrates you add them in that order.  They can also provide ideas on integrating additional threads (one line for each color).  Or, you can use the same thread for all color lines.  That's where I encourage you to use your imagination for the space you are stitching!