I don’t know about you, but I’ve been mesmerized by Lauren’s (@sequinlalastitches) stitching on her Melissa Shirley witch cape. It’s simply stunning and am so grateful she shared all the details with me…I mean us.

Not only is Lauren’s stitching amazing, it is black on black on black, which is an accomplishment in and of itself. Lauren’s stitched sample (center photo) uses Burmilana (black lines), size 12 Kreinik (yellow lines), Ribbon Floss (the straight aqua lines), and Soie Cristale (on top of the Ribbon Floss and the gray lines) on 18M. I played with colors on the sample on the right, using three plies of Soie D'Alger (black lines), Petite Silk Lame (yellow lines), Kreinik size 8 (gray lines), and two plies of Soie d’Alger. (aqua lines) on 13M.

Needless to say, I’m very excited about this stitch and have shared it with some of my Aristeia students. The cute pumpkin above is wearing today’s stitch with a simple dash of Soie d’Alger (black lines) and a Kreinik size 8 (yellow lines) on a beautifully painted pumpkin. Because of said beautiful painting, we chose to not use all the elements of the original stitch. We may add a bead in the center of the star but that is still up in the air.

This stitch is made for areas you want to draw attention to. Today’s examples include clothing and pumpkins, but also consider it for a big, round moon or a Santa bag. It’s just dreamy. I hope you have as much fun with it as I am having with it.

As you are auditioning stitches (from any stitch source), count the number of canvas threads on the diagram that match your mesh size. And there you have what an inch of the stitch will look like. Evaluate that against the area where you plan to use the stitch and make your final decision. If you start integrating this step into your stitch selection process, you may be surprised at how many stitches you think are large are much smaller than you realize.

By (sometimes) including this step in my own process, I find I am now integrating much longer stitches than I ever thought I would. I used to think a stitch six rows long was super big. I have very much changed my tune, which has helped me expand my creativity, especially for large-space stitches.

Today’s stitch diagram, along with all other #whimsicalwednesday and #smallspacesunday stitch diagrams, can also be found on a Pinterest board here. Be sure to follow whimsicalstitch.com on Facebook, Pinterest, Instagram, and Twitter.

If you like what you see on this blog, there's more. Mary’s Whimsical Stitches is a series of four books offering contemporary how-to collections of more than 200 stitches (in each volume) for all stitchers, regardless of skill level. All books include updated and sequenced diagrams from this blog, plus a collection of all-new stitches from private lessons and other class projects. Visit here to find a needlepoint retailer that carries my books.

New to needlepoint or looking for a refresher? Please download a handy how-to guide covering basic needlepoint stitches and stitch compensation techniques along with new top-line information on needlepoint materials and tools, how to handle threads, and other helpful needlepoint resources.

whimsicalstitch.com also sells Stitch Guides and Stitch Concepts for Melissa Shirley Designs, Zecca Designs, Sandra Gilmore, Purple Palm, Maggie, and Penny MacLeod, and many more. Click here to see the newest guides and click here to see the entire collection.

I hope you have the perfect spot for this stitch! Please enjoy! Have a wonderful #whimsicalwednesday!

A Note about Diagrams
I use color in diagrams to make them as clear as possible.  The primary function of different colored lines is to illustrate a stitch sequence.  For example, the layering of colors demonstrates you add them in that order.  They can also provide ideas on integrating additional threads (one line for each color).  Or, you can use the same thread for all color lines.  That's where I encourage you to use your imagination for the space you are stitching!